11/
11/
14

Know & Tell

The most inspiring small, upstart brands are the ones that seem to know themselves from the get go. They have a strong point of view and more than a little courage. It’s little wonder that these brands also happen to be the ones that fearlessly engage in art-fusion collaborations, not only as a way to build their name, but also as a way to express their personality.

The über hip furniture store Mjölk in Toronto’s Junction area is a perfect example and a great source of inspiration. The timelessly modern, yet markedly original pieces of design they carry, along with the store’s strong aesthetic sensibility, cause some to consider it more of a gallery of Northern and Eastern design than a traditional retail outlet.

Mjölk’s decision to collaborate with international artists and designers on a regular basis has become not only the bedrock of their brand’s identity, but a way to ensure originality, simplicity and exceptional beauty in all the products they carry. For Mjölk, the most crucial aspect of collaborative process is establishing a mutually respectful relationship with each and every prospective artist or designer. So they do their homework. When they feel they know as much as they can about a potential collaborator, Mjölk goes farther than most small brands would consider in the age of Skype and conference calls.

They hop on a plane.

Whether it be to Japan, Sweden or Denmark, they feel it’s of utmost importance to fill the gaps that technology can leave, and meet the artist in person. Only then do they feel they can intimately understand each artist’s school of thought and vise versa.

Once the artist is chosen, the budget is discussed. Mjölk proposes an allowance they feel comfortable investing and the artist’s agreement provides a commitment to the design and manufacture of a product that will meet their mutual expectation visually and functionally.

Because they invest so much time and thought in the collaborative process, Mjölk’s knowledge about each product and the narrative of how it came into being is so extensive, it’s captivating. It’s Mjölk’s unbridled enthusiasm behind each of the products they share with their clients that often turns a simple shopping experience into an inspirational journey.

The bottom line? A successful collaboration, like any good relationship, is based on mutual respect, communication, openness, trust and a mutual desire for everyone to succeed – the brand, the artist and society as a whole.

In our next post we’ll compare and review two art fairs that took place in Toronto this fall, Toronto International Art Fair and Feature Art Fair. See you then.

MjÖLK Storefront
MjÖLK Storefront
LUCA NICHETTO SUCABARUCA COFFEE SET x MJÖLK
LUCA NICHETTO SUCABARUCA COFFEE SET x MJÖLK
Mjölk: Luca Nichetto Sucabaruca Book
LUCA NICHETTO SUCABARUCA COFFEE SET x MJÖLK
Mjölk Favorite Products, Concrete Shaving Kit
Mjölk Favorite Products, Concrete Shaving Kit
AT MJÖLK: Vass cabinet by Claesson Koiviston Rune, Ilse Crawford lamp, Rocket stool by Eero Aarnio
MJÖLK PACKAGING
at MJÖLK: Oji Masanori & Rina Ono products
at MJÖLK: Oji Masanori & Rina Ono products
MJÖLK x studio junction
MJÖLK x studio junction
MJÖLK book series
MJÖLK book series

06/
05/
14

How to plan a successful collaboration

Not surprisingly, an art fusion collaboration can be an intimidating process for brand managers. Every step requires uncompromising attention to detail, making it potentially easy to lose sight of the big picture. But by simply asking yourself a few questions before moving forward, it will be much easier to manage this extremely rewarding process.

Question no.1: Should your collaboration lean more towards being ‘art’ or ‘fusion’? In other words, is it more important for your brand to turn heads, be considered ground-breaking and be elevated by the leadership that signals, or will your brand benefit more from a collaboration that produces a desirable, saleable product? Or both?

At Arts & Labour, we frame this choice as ‘art fusion by deconstruction’ and ‘art fusion by integration’. In art fusion by deconstruction, a brand works with an artist, essentially to create branded art – a sculpture, a video, a mural, an event, a display – to make a strategic statement and to create talk value. Art fusion by integration leans towards the ‘fusion’ side, with the artist using elements of your brand to create a product or group of products. Determining which art fusion method best fits a brand’s objectives is a critical part of the process and will help determine its success. In some cases, a head-turning campaign that combines both methods – deconstruction elevating the brand with its artful integrity and integration creating immediate sales with its desirability – is the most advantageous for the long and short term.

Question no.2: Would I prefer the impact we create to be instant or built reliably and safely over time? Deciding whether a brand would benefit more from developing an art fusion collaboration as ‘a collection’ or as ‘a single piece’ is equally important. If a brand has no time to spare in creating as big a splash as possible, then developing art fusion as a collection is a good way of achieving that. Think about the inspiring art fusion collaboration between the renowned furniture company Herman Miller and the prolific type foundry House Industries. By combining the classic Eames wire-base tables with timeless typographic forms, House Industries created a collection where each and every table was simply impossible to resist. Or consider Lacoste’s collaboration with the Chinese artist Li Xiaofeng, who used both methods of art fusion, first creating ceramic sculptures that he then used to design a limited edition collection of Lacoste polos.

However, if the preference is to have the brand-enhancing benefits of art fusion safely grow over time, then developing it gradually piece-by-piece works. Again, think about Evian, a brand that’s been building their art fusion status continuously over the last eight years. It may be helpful to keep in mind the saying ‘getting further by going slower.’

Question no.3: Should your brand engage with one or a group of artists? Selecting one or a group of artists to collaborate with depends mostly on budget. If what you have available to invest does not allow your brand to collaborate with a well-known artist, then starting the process with a few emerging artists and potentially short-listing them to one or two finalists could be the way.

Established brands, whether high or low-end, tend to collaborate with one artist at a time. For example, Lacoste with Zaha Hadid, the avant-garde Iraqi-British architect; or Crate & Barrel with Paola Navone, the Italian, nomadic, multi-faceted artist and designer; or Target with Phillip Lim, the American fashion designer so loved by US First Lady, Michelle Obama. On the other hand, smaller brands and some not-for-profit organizations have had success working with a few artists at a time, each artist developing a smaller fragment of the whole. For example, the leading UK charity Save the Children created an art fusion collaboration with 14 British designers who designed traditional Christmas sweaters to help raise holiday funds for the organization.

The objective of art fusion is to capture the hearts and minds of consumers, and to stimulate social media into a frenzy of chatter, anticipation and desire. As with all worthwhile marketing pursuits, the amount of strategic thought that’s applied beforehand will only ensure the creative might you wield goes to good use.

Stand by for the next post that looks into art fusion collaborations where the outcome is an installation.

nike x Tom Sachs
nike x Tom Sachs
herman miller x house industries
Dyson Vacuum Cleaners x Issey Miyake
Tom Prince Meltdown Chair Series
Li Xiaofeng for lacoste porcelan polo
lacoste x zaha hadid
crate & barrel x paola navone
ILOVEDUST x TOKYO FIXED GEAR
target x pillip lim
SAVE THE CHILDREN Christmas sweaters x 14 British designers
SAVE THE CHILDREN Christmas sweaters x 14 British designers

12/
11/
13

Make the traditional untraditional again

Increasingly, social media has become one of the traditional tools of marketing. With this new reality, there are plenty of new ‘gurus’ who profess to know the secret to successful social media campaigns. But ultimately, it comes down to a simple, old-fashioned principle: people talk when there’s something worth talking about. Social media is nothing more than word of mouth.

Lightning fast, broadcasted to millions in moments, word of mouth. Perhaps this is why the effectiveness of traditional forms of advertising is being questioned more and more. And perhaps instead of looking outward (recruiting a creative agency to help develop an edgy advertising campaign to generate buzz) organizations may need to look inward and ask a few questions. Are the products or services themselves innovative and original enough to be talked about? Could a simple redesign accomplish this? Is there one product or service that would significantly benefit from being fully redeveloped and redesigned, perhaps with the cache of the involvement of an artist or well-known designer? Could it be transformed into a dramatically different visual and emotional experience?

In the new frontier of brand promotion, these are questions worth asking. And why, we wonder, have there been so few ‘Made in Canada’ art fusion collaborations? Stay tuned for our next post.

LOEWE x JuNYA WATANABE: PARIS VOgUE official ‘BAG FOR THE WEEKEND’ selection (SOLD OUT)
LOEWE x JuNYA WATANABE: PARIS VOgUE official ‘BAG FOR THE WEEKEND’ selection (SOLD OUT)
LOEWE x JuNYA WATANABe ON PINTEREST
LOEWE x JuNYA WATANABe ON TWITTER
SYdney opera house x brian eno
SYdney opera house x brian eno
Evian x Various Artists 2008 – 2013
Evian x Various Artists 2008 – 2013
Puma x Miharayasuhiro (SOLD OUT)
Puma x Miharayasuhiro ON TWITTER